Liquid Sky
| # | Track name | Description |
| 01 | Noon | From Wikipedia: Liquid Sky is a 1982 science fiction film produced and directed by Slava Tsukerman that has become a cult classic on the midnight movie circuit. The screenplay, which features an absurd storyline, was written by Slava, his wife Nina Kerova, and Anne Carlisle. The director of photography, Yuri Neyman, was a special-effects expert from the Soviet Union. Anne Carlisle also wrote a novel based on the movie (same title, ISBN 0-385-23930-0) in 1987.The film had a $500,000 budget, which meant that Tsukerman and his wife had to use a renovated Greenwich Village loft as the sound stage. The music for the film was composed by Brenda Hutchinson and Clive Smith using the Fairlight CMI, the first digital sampler/synthesiser. Much of it was original, while some songs were interpretations of music by Carl Orff and Baroque composer Marin Marais. The film is out of print and only a limited number of VHS tape re-issues and DVDs were produced. The film, however, does run occasionally on the Sundance Channel. |
| 02 | Alien’s Theme I | |
| 03 | Night Club I | |
| 04 | Jimmy’s Theme | |
| 05 | Margaret’s Childhood Theme | |
| 06 | The Way the Alien Kills | |
| 07 | Me and My Rhythm Box | |
| 08 | Night Club II | |
| 09 | Sunset | |
| 10 | Margaret’s Apartment I | |
| 11 | Katherine in the Club | |
| 12 | Afternoon | |
| 13 | Wordplay | |
| 14 | Night Club III | |
| 15 | Fashion Show | |
| 16 | Seduction of Vincent | |
| 17 | Margaret’s Apartment II | |
| 18 | Alien’s Theme II |
Slava Tsukerman that has become a cult classic on the midnight movie circuit. The screenplay, which features an absurd storyline, was written by Slava, his wife Nina Kerova, and Anne Carlisle. The director of photography, Yuri Neyman, was a special-effects expert from the Soviet Union. Anne Carlisle also wrote a novel based on the movie (same title, ISBN 0-385-23930-0) in 1987.The film had a $500,000 budget, which meant that Tsukerman and his wife had to use a renovated Greenwich Village loft as the sound stage. The music for the film was composed by Brenda Hutchinson and Clive Smith using the Fairlight CMI, the first digital sampler/synthesiser. Much of it was original, while some songs were interpretations of music by Carl Orff and Baroque composer Marin Marais. The film is out of print and only a limited number of VHS tape re-issues and DVDs were produced. The film, however, does run occasionally on the Sundance Channel.